This series reinterprets the Brutalist iconic structures of the Barbican Estate through the tactile medium of analog collage. Much like how the original architecture was defined by the rapid application of raw concrete—a new material shaping the city—this work explores the relationship between mass production and individual expression.

By manually cutting, tearing, and pasting black and white photographs, the rapid-fire reproducibility of modern digital tools is deconstructed into a deliberate, physical, and imperfect process. This method rewrites the original rigid geometries of the Barbican into organic, fragmented compositions. Each piece is a personal act of urban deconstruction and reconstruction, creating a new, rewritten image that explores how the hand of the artist can reclaim space from the imposing scale of institutional architecture.